蒙娜丽莎的诅咒

• 豆瓣评分：8.1
• 片长：50分钟
• 导演：Mandy Chang
• 年代：2008
• 地区：美国
• 类型：纪录片
• 语言：英语
• 编剧：
• 影片别名：
• 更新时间：2018-02-20
• 上映：2008
• 主演：Robert Hugh

主演：Robert Hugh导演：Mandy Chang语言：英语 地区: 美国 编剧：类型：纪录片上映时间：2008 别名：用户标签：纪录片,艺术史,BBC,2008,蒙娜丽莎,艺术,英国,RobertHughes片长：50分钟imdb编号：tt1586000Over the past half-century, renowned art critic Robert Hughes has watched a certain story unfold in culture — a story of how commerce changed our relationship to art and, in the process, what art stands for as cultural currency. In The Mona Lisa Curse, an ambitious documentary available on YouTube in 12 installments, Hughes — curmudgeonly and keenly insightful as ever — traces the evolution of the art world’s devolution. From archival footage of Hughes, once a suave TIME critic, in his 1960′s prime to insider accounts of some of the greatest art events and deals of today, the series is as much an exemplar of investigative journalism as it is an absorbing and eye-opening piece of cultural storytelling. 　　"I’ve seen with growing disgust the fictionalization of art, the vast inflation of prices, and the effect of this upon artists and museums. The entanglement of big money with art has become a curse on how art is made, controlled and, above all, in the way that it’s experienced. And this curse has infected the entire art world.” 　　"Apart from drugs, art is the biggest unregulated market in the world, with contemporary art sales estimated at around $18 billion a year, boosted by regimens of new-rich collectors and serviced by a growing army of advisors, dealers and auctioneers. As Andy Warhol once observed, ‘Good business is the best art.’” 　　"The Kennedys managed to turn the Mona Lisa into a kind of 15th-century television set — instead of 1.5 million people looking at one image flashed on 1.5 million screens, you had them all looking at it on one screen, which was the picture itself, and that was the only difference. They didn’t come to look at the Mona Lisa, they came in order to have seen it. And there is a crucial distinction, since one is reality and experience, and the other one is simply phantom."《蒙娜丽莎的诅咒》下载观后评论：就是看不懂当代艺术啊。当艺术和美学变得谁都可以煞有介事地参与（怪不得当代艺术的门槛这么低），当（某些当代）艺术变成了炫耀性的消费去粉饰那些所谓的艺术品买家廉价的品位的时候，艺术就变得毫无价值。市场就是有能力把艺术史变成恶俗的支票簿。（布迪厄+鲍德里亚+本雅明）的观点综上所述现代艺术市场炒作太严重了，多的就不说了，无知的人总会被价格迷惑，被媒体蛊惑，被作者或者作品的名气所蒙蔽。高价买了个垃圾回去还自我洗脑，甚至指望捂住闷上几年卖给下一个冤大头。这种事成者满心欢喜，败者垂头丧气，却都忘记了观赏艺术品的初衷是为了感官愉悦而不是投资赚钱。#公开探索BBC# 193 3.5 被投资人开发了这片市场之后,商品属性盖过了艺术价值,(特别是现代艺术)。艺术品不再有机会做博物馆的糟糠妻,豪门贵戚才有钱包养。安迪沃霍洞悉了方向还是揭开了魔盒？看了标题以为是类似图坦卡蒙的诅咒之类的内容，结果是描述了艺术商品化之后，人们更注重价格而非艺术价值的现象，确实是一个值得思考和研究的问题，但是这个片子还是比较浅，要是能深入分析下原因就更好了。有些美丽的东西自从被创造出来就是不可能被某个人或某些人拥有的，货币化确实在摧毁这个事实……但依然，如果有个瞬间有个人被某种美吸进去了，那他就是拥有了。"Making money is art and working is art and good business is the best art"还可以！但也很难改变现状。突然想到一个问题：世上任何事物的原始属性一旦被改变，都会伴随着一场持久或永久的灾难？不知道这个问题对不对既然说艺术是为了呈现这个世界的意义 那我觉得就不需要评论家了 数据是事实 是一种官僚化和过分指摘批判的客观 但根本没本质 这老头…引发我对于艺术品价值的思考，虽然是我不了解的领域，但被创作者情绪渲染，让我觉得艺术的价值被商业化是一件令人痛惜的事。艺术应当让我们感到更透彻、更有智慧，应该给我们协调感，这在别处无从可获得。而这也正是市场文化正在扼杀的。艺术市场的疯狂将艺术品降格为商品，并且抹杀了对艺术本应有的尊重，甚至影响了艺术家及美术馆。唯一的缺憾是不够深入，为什么艺术被商品化，本质是什么，纪录片只停留在现象，很是遗憾。高价艺术品市场的后遗症是造成艺术并非以艺术角度受欣赏、而是以价格。货币化的艺术品。