奇爱疑云

• 豆瓣评分：7.0
• 片长：116 分钟
• 导演：刘易斯·迈尔斯通
• 年代：1946
• 地区：美国
• 类型：剧情 / 黑色电影
• 语言：英语
• 编剧：John Patrick / 罗伯特·里斯金 / 罗伯特·罗森
• 影片别名：玛莎.依瓦丝的爱
• 更新时间：2018-10-01
• 上映：1946-07-24
• 主演：芭芭拉·斯坦威克 / 凡·赫夫林 / 柯克·道格拉斯

主演：芭芭拉·斯坦威克 / 凡·赫夫林 / 柯克·道格拉斯导演：刘易斯·迈尔斯通语言：英语 地区: 美国 编剧：John Patrick / 罗伯特·里斯金 / 罗伯特·罗森类型：剧情 / 黑色电影上映时间：1946-07-24 别名：玛莎.依瓦丝的爱用户标签：美国,黑色,1940s,黑色电影,BarbaraStanwyck,Film-Noir,美国电影,剧情片长：116 分钟imdb编号：tt0038988On a rainy night in 1928 in a Pennsylvania factory town called Iverstown, Martha Ivers (Janis Wilson), thirteen years old, is trying to escape from the guardianship of her wealthy, domineering aunt. Her friend, the street-smart, poor Sam Masterson (Darryl Hickman), comes for her through her bedroom window, but Martha's aunt catches them. While Sam slips out unnoticed, Martha hits Mrs. Ivers on the head, causing her to fall down the long staircase and die. Though Sam saw nothing, the event was witnessed by Walter O'Neil (Mickey Kuhn), the son of Martha's tutor (Roman Bohnen), known as Mr. O'Neil. Martha lies about the incident to Mr. O'Neil, and Walter supports her.[5] 　　Mr. O'Neil suspects what happened but presents Martha's version of events to the police, that an intruder is responsible; he makes use of his knowledge by having her marry his son. When the police identify a former employee of the aunt as the murderer, the two O'Neils and Martha help convict him; he is punished by hanging.[5] 　　Eighteen years later, the older O'Neil has died. Walter (now played by Kirk Douglas) is the district attorney, while Martha (Barbara Stanwyck) has used her inheritance from her aunt to build a large business empire. Their marriage is one-sided; he loves her, but she does not love him. 　　Sam (Van Heflin), now a drifter and gambler, stops in the small town by chance to have his car repaired after an accident. While waiting for repairs, at his old home, now a boarding house, he meets Antonia "Toni" Marachek (Lizabeth Scott), who has just been released from jail. She is later picked up for violating her probation by not returning to her hometown. Sam goes to see Walter, to see if he can use his influence to get her released. 　　Walter is convinced Sam has returned with blackmail in mind, giving Walter a motive to run Sam out of town. When Martha reacts with joy to the news of Sam's return, Walter's jealousy provides an additional motive. Walter forces Toni to set Sam up. Sam is beaten and driven out of town, but he is too tough to be intimidated. When all else fails, Walter makes a half-hearted attempt to kill Sam himself, but is easily disarmed. Martha then inadvertently blurts out the couple's fears of blackmail, which prove to be groundless: Sam says he did not witness the death. Martha breaks down and laments that he left without her all those years ago, taking with him her only chance for love and freedom. 　　Sam is torn between his old love and his new. Although he eventually forgives Toni for betraying him, he and Martha spend an idyllic day together, rekindling his feelings for her. 　　Walter arranges to meet Sam to finally settle matters. Before Sam arrives, Walter gets drunk and Martha finds out about the meeting. When Walter falls down the stairs and is knocked unconscious, Martha urges Sam to kill him. Sam instead brings Walter around. Martha pulls out a gun and threatens to shoot Sam in "self defense" as an intruder. However, Sam gambles that Walter will not back up her story; he turns his back on her and leaves. 　　Walter embraces and kisses his wife; then he points the gun at her midriff. Oddly relieved, she puts her hand over his hand on the trigger and presses. As she is dying, she defiantly states her name is not Martha Ivers, but Martha Smith. Outside, Sam hears the shot. He runs back toward the mansion, but sees Walter, holding Martha's body, shoot himself. Sam and Toni drive away together.第19届奥斯卡金像奖最佳原创故事(提名)John Patrick 第2届戛纳电影节主竞赛单元(提名)刘易斯·迈尔斯通《奇爱疑云》下载观后评论：如果死板地寫，這會是一部黃金期古典劇本結構。第四者的構建是這個劇本的神來之筆，很基礎但又充分地將三角戀推向更有人性深度的層面，它會是一個教科書示範般的存在，以第四個人物做變量，將原本的三人發酵。男一號和女一號被寫出了精彩的變奏（如今看或許有點理所當然）幾種矛盾的融合，幾個關鍵的推進，幾個人物的轉變，都是很細膩的劇本寫作才可以做到的。在那個年代這樣一個故事，足以堪稱巧妙。好久没看老片，Kirk今天走了才想来补一下他的作品，顺便看一下好久没看过的Missy。她真的演什么像什么，双重赔偿加这一部一路蛇蝎美女下来让人都快忘了曾经淑女伊芙等喜剧片里可爱的表演了lol…片子其实不好看，既拖沓也不够黑，但为了Missy和Kirk加一颗星好了。曾经Missy在Kirk初登银幕时照顾他，教他演戏，现在希望两个人在天上也能聚聚。RIP Kirk。超级好看！Sam和Toni就是江湖儿女，好喜欢这一对，Sam这么有魅力的男主其实在老片子里不少见。Martha超级好看而且眼熟，原来是Double Indemnity的女主，Walter是Michael Douglas的老爸！最后的结局其实几多反转，但是合情合理完全没有为转而转的感觉。道格拉斯起初拒绝出演，经过多年的努力好不容易在舞台生涯上稍有起色，他并不想去好莱坞，他想成为一名真正的戏剧演员。在他的印象里电影演员都是高大、俊俏帅气的男演员，很明显自己并不符合这一标准。然而来自好莱坞的诱惑一直都是有力而且致命的，道格拉斯再三考虑之后还是决定出演了[奇爱疑云]。3.5星，喜欢这部电影里老道格拉斯的演技，他一直给人一种感觉老演些强硬又邪气的角色，但是这部电影里的他一反往日形象，在芭芭拉.斯坦威克面前将一个爱她爱到没有理智而又胆小有心机的小男人演的丝丝入扣。PS为什么这片里斯坦威克的脸有点婴儿肥呢。。。女配简直劳伦·白考尔的doppelganger...四位主演都不错。柯克·道格拉斯摔下楼梯时，Missy脸上那丝窃喜和毒辣，她对两个男人都抱着难言而“奇怪”的情感，让人为她飞蛾扑火。女主是个很有趣的角色，可惜戏份没给足这片子拍摄过程和后来发行都很messedup,导致片子有点儿不成样子。不过芭芭拉·斯坦威克怎么看都令人喜欢呐：“我爱的男人要来了，我要去换衣服，我可不想让他一天内两次看到我穿的都是同一件衣服。”主人公的内心与剧情的走向都是那般难以捉摸，我怀疑每个人的动机但最后都猜错了。或许玛莎的目的昭然若揭，只是我不情愿将其点透，因为深深着迷于斯坦威克那令人无法抵抗的危险气息中，却不自知。这个黑白色调太好看了，女主男主也都太好看了…虽然故事没有那么深刻，但矛盾的点还是很值得回味的。Sam和Toni要永远幸福～其实他们永远都是孩子，只是有些跑了，有些却不得不留下。感觉副线起了反作用... 女二如同双眼皮的Lauren Bacall，嘴唇则像Marlene Dietrich。结局也没有足够的支撑。Kirk Douglas的首秀真厉害！剧情如同松弛且皱斑遍布的皮肤，辜负了几位好戏之人的血汗演出。明星撞脸对名气低者不是一件好事，卡格尼和白考尔从没在影片中相爱过，不过观赏该片也可弥补这一遗憾。犯罪爱情题材加上蛇蝎美女，的确是黑色电影的套路，最后的自我毁灭也算做得彻底，可惜影像风格上稍欠黑色气质，内在情感支撑也很无力。这部是Kirk Douglas的银幕处女作。Lizabeth Scott出场的时候真像Lauren Bacall！