伯娜

• 豆瓣评分：0
• 片长：Sweden: 86 分钟 / USA:
• 导演：利诺·布洛卡
• 年代：1980
• 地区：菲律宾
• 类型：剧情
• 语言：菲律宾语 / 塔加路语
• 编剧：Cenen Ramones
• 影片别名：邦娜(港)
• 更新时间：2026-03-05
• 上映：1980
• 主演：诺拉·阿诺尔 / Phillip Salvador / Marissa Delgado / Raquel Montesa / Venchito Galvez / Rustica Carpio / Nanding Josef

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses《伯娜电影网友评论》2025.04.21 Gene Siskel。首先感叹一下现在的4k修复能力也太强了。这片子被UIUC的教授当作unseen gems介绍给法国公司，后者从原来的创作者手上拿到版权后介绍去了戛纳。事实上此片故事其实没有那么强，节奏也很像当时的亚洲电影标杆——香港电影。通俗地说这是一个关于私生饭圈的故事，题材在当时应该算是非常先锋，但是哪怕不做价值审判，故事人物本身也并非经得住推敲，作为女性电影的价值较低（但是主演把Bona这个女性在不同时期场合情绪的转折都演出到位了）。此片被修复后，最大的意义可能还是给观众提供了80年代菲律宾贫民窟社会的透视lens。卑微到底才使出狠劲，向别人更向自己，戛然而止。镜头多次在旁找寻中观察，伯娜身上两幅不同的面孔。当她是独立的，融入了街头人群，总保留着不受玷污的眼神和羞涩的浅笑。当她同男人、家庭产生联系，眉头不自觉蹙起，苦命又自我麻痺。你是携伴欢舞的人，我是手持音箱的工具，足够总结所有。心境逐秒钟跌堕，是人也是城的缩影。一個農村女喜歡上渣男，最後被渣男始亂終棄的故事，再普通不過老掉牙的劇情，導演拿捏得很順暢，邦娜不是只得胡鬧，還有很多內心戲上的起承轉合，這位菲律賓導演之前也看過一部作品，果然沒令我失望。我依然认为她是想逃，而那个男人是逃的一个象征，当自在的躲避失去了可能性，爱情也随之凋落成仇恨。那个时代的菲律宾青年好喜欢六十年代摇滚乐，男主是东南亚版本的乔治哈里森啊HKIFF_6 有点难评，有一种买票去博物馆看一个叶子化石的感觉。你知道它重映很难很有历史价值，但其实就是一片叶子。隔壁的大叔睡到打呼……7分 菲律宾版菊豆 80年的电影居然没有当时东南亚电影普遍的强情绪和激烈音乐 而是选择留白来过渡 确实高级伯娜对父权社会和生活理想的绝望和愤怒，最后都化作那盆滚烫的开水，泼向她曾狂热追求的偶像！好好的奴不做，最后非要做主人。4.19HKIFF49@香港英皇戏院铜锣湾时代广场人物关系值得研究，啊时代啊，一代不理解一代，但又殊途同归