皮奥特·安德索夫斯基，不平静的旅行者

• 豆瓣评分：8.7
• 片长：
• 导演：Bruno Monsaingeon
• 年代：2009
• 地区：法国 / 波兰
• 类型：纪录片
• 语言：法语
• 编剧：Bruno Monsaingeon
• 影片别名：Piotr Anderszewski: Unquiet Traveller
• 更新时间：2018-01-17
• 上映：2009-06-15
• 主演：Piotr Anderszewski

主演：Piotr Anderszewski导演：Bruno Monsaingeon语言：法语 地区: 法国 / 波兰 编剧：Bruno Monsaingeon类型：纪录片上映时间：2009-06-15 别名：Piotr Anderszewski: Unquiet Traveller用户标签：纪录片,音乐,波兰,法国,Anderszewski,PiotrAnderszewski,法国电影,Bruno_Monsaingeon片长：imdb编号：tt1445089From the pianist Piotr Anderszewski's first comments in 'Unquiet Traveller' ('Voyageur Intranquille'), a new documentary film that follows him on a concert tour by train through his native Poland, you would think that this fiercely individual artist found being a pianist an agonizing impossibility. In a winter coat and a hat with thick wool lining, Mr. Anderszewski walks solitarily along snow-covered train tracks at a railroad station, as we hear his reflections in a voice-over, in English. 'When I play with orchestra,' he says, 'I sometimes tell myself I'll never play a concerto again. Too many artistic compromises.' Yet, he continues, when confronted with 'the extreme loneliness of the recital, the heroism and also the cruelty involved, I sometimes think that I 'l never do recitals ever again. I'll only make recordings.' Then again, he says, in the recording studio, when he is free to repeat the work as often as he desires, the possibility of always doing better creates another kind of terrible pressure. 'In fact,' he concludes, 'the real, the ultimate temptation would be to stop everything, lie down, listen to the beat of my heart and quietly wait for it to stop.'. . . Mr. Anderszewski, who speaks Polish, Hungarian, French and English in the film, is shown during a recording session, playing and conducting Beethoven's First Piano Concerto with the Deutsche Kammerphilharmonie Bremen. On the concert totour, he travels in a specially appointed train car, complete with a kitchen, a dining area and a place for his Steinway grand, which we see being lifted onto the train by movers. In one scene he hosts a New Year's Eve dinner party on board for friends. Early in the film, right after Mr. Anderszewski's confession about his frustrations with the pianist's profession, he is shown in concert playing the lively Gigue from Bach's Partita No. 1. Though he takes a brisk, nearly breathless tempo, the playing is so articulate that all the notes come through. Sometimes he really thumps out the bass notes, with clanking tone. Yet there is such zest in the playing over all that the effect is wonderfully ambiguous like dangerous whimsy. There is something extreme in this performance, exactly the quality that gave me reservations about Mr. Anderszewski's early work, which was unquestionably brilliant and intensely expressive but strong-willed and feisty. Maybe he has mellowed or maybe I have gained insight into his approach. But in recent years I have found almost everything he does riveting. --New York Times, Anthony Tommasini, July 31, 2009《皮奥特·安德索夫斯基，不平静的旅行者》下载观后评论：在协进看电影要是木有前三排基本严重影响整体观感，夹杂英语波兰语法语的此片竟然傲然漠视此条铁律，就算看不了字幕还有唧唧哇哇男后排呱噪，还是无法阻止被琴声感动地起了一身身鸡皮疙瘩，更欣喜发现英雄相吸男主还和姐挚爱的小杜有默契合作，很有意思的人，超稀饭！谢谢@pure人皮犹如一场古典音乐鉴赏会，带着艺术家自己的敏感的体会和个人的理解。他说他演奏中抛却了自我，但分明每一首乐曲中都有他自己。最喜欢的镜头是伴着巴赫乐曲的倒行的铁轨，谨慎、绵延，永不停歇。看完之后，想去弹琴，想去听音乐会。。。可能小时候熏陶的那么点音乐因子还残留心间吧〜人物传记式的纪录片，全程90%在弹钢琴，从巴赫、莫札特、肖邦、贝多芬、舒曼弹（谈）到勃拉姆斯、舍曼诺夫斯基。全篇穿插着钢琴家展现对音乐和生活的哲思的独白，以及火车旅行、渐行渐远的铁轨、有轨电车、布达佩斯的广场等这些文艺的元素。所以我在高雅的钢琴声中华丽丽的睡着了事实证明我还是欣赏不来这种文艺的纪录片。男主可爱中透着感性，在波兹南和布达佩斯看到了曾经熟悉的广场和街道。片中除了在演奏会上弹钢琴，就是在火车上弹钢琴，要么就是在教室弹钢琴。。。我已经无力吐槽自己的欣赏水平了。。“When you love,you love the weakness,you touched by the weakness.”比音乐更能触动灵魂深处的想必便是用一种生命的角度去谈论它这一行为的本身了吧随匈牙利裔波兰籍的Anderszewski随着音乐会的旅行看欧洲的城市：他的心在华沙那座已经消失的"老城"，里斯本让人惊艳，布达佩斯的市场。非常认同 "每座菜市场都是城市的心脏"。音乐？只是生活的一部分。钢琴声穿插其中，闭上眼睛享受着。矛盾的心思纠缠着，通过音乐去表达一种灵性，偶有出现的经典语录，点缀着对人生的思考。对音乐的盛赞，还有对出生城市华沙的眷恋，不断旅行的路上，如同铁轨延伸出去的思索。“Whenyoulove,youlovetheweakness,youtouchedbytheweakness.”比音乐更能触动灵魂深处的想必便是用一种生命的角度去谈论它这一行为的本身了吧最驚喜的是場景切換近乎完美的流暢。對音樂理解力的展現與分享自信、自豪、在令人生厭前停止炫耀，而鏡頭的使用也因此更富音樂性。自然、職業、社會三屬性的不斷穿插，成就一部比較規整的半自傳。怹老在火車上真的活得像仙人一樣了。前半彈莫札特、貝多芬、蕭邦、Szymanowski都覺得簡直憑虛御風，只有後面彈巴赫的時候又變成了苦惱的凡人。戰前的華沙真是個令人神往的地方。法国电影节上海站。（看完了心潮起伏，我和马由她都觉得，真想有个人一起不言不语地看完然后一起不言不语地漫步到公园心有灵犀地开始一场工口，那真是爱的最高点好久没有去这样一个场景看电影。有这么一个人，皱着眉，晃着头，边弹遍给你讲肖邦太过细腻，勃拉姆斯又太重演绎，莫扎特早逝太可惜太可惜，真是特姆得太窝心了。几年前也是暮春时分上海音乐厅看的。记得很静，是结束后会让彼此短暂失语的那种片子。在看一本书就突然想到了这部。此刻多么想再回欧洲生活一段时间啊。