在世界的沉默中

• 豆瓣评分：8.0
• 片长：50分钟
• 导演：河濑直美
• 年代：2001
• 地区：日本
• 类型：纪录片 / 传记
• 语言：日语
• 编剧：
• 影片别名：Sky, Wind, Fire, Water, Earth
• 更新时间：2018-07-03
• 上映：2001-08-10
• 主演：河濑直美

主演：河濑直美导演：河濑直美语言：日语 地区: 日本 编剧：类型：纪录片 / 传记上映时间：2001-08-10 别名：Sky, Wind, Fire, Water, Earth用户标签：河濑直美,日本,纪录片,日本电影,女权,河瀨直美,2001,2000s片长：50分钟imdb编号：tt0331543"Your father passed away. Give us a call immediately." The message in Kawase's cell phone informs her of her father's death. 　　More than a year has passed since his death. Also 8 years since Embracing in which Kawase took a camera to film her journey to find her father. She watches Embracing with her friends as if she mourns her father's death, departure from her father. Watching, throughout the film, the repetitive, momentary interviews of people who were involved with him before his death as well as her real mother and her grandmother, Kawase bears unfocused and disconsolate feelings. 　　All of a sudden, she gets an idea of having a tattoo, the same tattoo her father had through his life, so as to, she thinks, discover the family bond, and then she visits a tattoo artist. The story accelerates from here, and brings the audience to the climax. Is this really a documentary or fiction? Despite this confusion, the film goes on and asks us, "What is love for you?" 　　At the Locarno International Film Festival in 2001, the film was highly praised for her original film style, the mixed form of documentary and fiction, in which her deep loneliness is realistically presented. The film has been shown more than 30 countries, and now its distribution right, after being produced and screened by ARTE France along with some other films by, for example, Sokurov, has been terminated, and the film will be screened in Japan. 　　This is a must-see, as of today, Kawase's culmination as an auteur. The title Kya Ka Ra Ba A is a Buddhist term, kya - the sky, ka - wind, ra - fire, ba - water, and a - earth, all of which, altogether, means the world composed of those elements.《在世界的沉默中电影网友评论》在最短的时间内受到了最大的震撼和感动，奶奶的那段独白让人无法不动容，上次记录跟父亲第一次通话，这次更为大胆的追问母亲自己为什么要出生。感觉她不仅是处于一种丧父的悲痛中，在那一段时间内她的精神状态也因为生活（比如离婚）而处于崩溃之中。舍弃自己的情感，完全无情的展示着自己的痛苦，比如被抛弃的经历，比如纹身。和纹身师的交谈是有意为之，即使要抛弃爱这种可怕的东西，但是她终究也无法抛弃。通过纹身终于建立起了和陌生的父亲的联系，裸身奔向自然。不过母亲想要这个孩子而生下了她却没有抚养也很没责任心了看了圈短片没人意识到标题 きゃからばあ 在密宗里代表构成万物的五大元素：地、水、火、风、空。所以阿姨在电影前半段呓语里配的是这些元素的影像。虽然这部电影当然可以说是阿姨和逝父的纠结，最后直接把塔婆即大日如来纹满背。但怎么理解中段阿姨让婆婆不断重复这道“神咒”的意图？我的理解是阿姨要找的爱其实一直都在婆婆身上。被遗弃的心结和生之困惑。空镜配对话。纹身前和纹身师长久的对话，还是不懂纹身师为什么不能去爱。纹身师说“当你感到痛苦的时候，你就看看你的纹身”。想起自己一人去纹身，走去二话没说就纹了。最后整个后背都是纹身的河濑在草地上裸奔也是够潇洒的。河濑阿姨就是拿自己当实验品啊。纪录片可以年年拍[想看：2007-07-31]标了想看十年后终于看掉了，算是[拥抱]9年后的续集，依然是私电影路子，婆婆也出来客串（还第N次用到了[蜗牛]里面的画面） 。有[萌之朱雀]戛纳颁奖的一段镜头。后面那一大段纹身戏够狠。7++ 河濑阿姨你为何如此牛逼...... 母亲自述全凭勇字留住你时crossover是火中清姬 / 身世探秘系列之与父亲无法割舍的爱恨情仇，最终化为身体图腾的链接与句号与其说是用刺青将父亲记忆镌刻在了自己身体上，不如说父母缺位对于河濑只是形而上召唤，一个降生谜团，一个对于他人而言不成问题的问题，一种与自然并生的共情。河濑直美的影像过于真诚，以至于只要稍微偏离回忆和内心就会显得造作。比如这部中的前半段很好，就是《拥抱》的延续，但后面纹身那段真的有点太私人太作。河濑阿姨对父亲的追寻在逝世后具化到了父亲的纹身上，在与纹身师进行了一番人生与爱的谈话后，带着满背纹身赤裸地跑向那片绿草地认识自己，对自己身份（父母抛弃）以及电影人身份的一种追溯和阐释。电影也可以成为揭开伤疤，促进治愈的一种方式。看到直美阿姨强忍着痛做纹身的时候不禁心酸，想要弥补父亲抛弃她所带来的创伤，却可能拥有无法找到解药。真孤独啊（纹身师说的关于身体、艺术和爱的关系很有意思）没有奶奶触动我。大量的空镜头配上对话，有点闷0